11.12.08
Posted in Film, Gitmo, Jacob Canon, Politics, The Oscar Show, UVa College of Arts & Sciences, University of Virginia, VFF, Virginia Film Festival, War on Terror at 12:04 pm by Jacob Canon
In our previous show we reflected on several of the movies showcased at this year’s Virginia Film Festival. In today’s show, we will examine “The Response,” a short film about the Guantanamo Bay War Tribunals and the plight of Guantanamo detainees by Sig Libowitz, screened at this year’s Virginia Film Festival.
During the course of the seven years since 9-11, the United States and its elected representatives have made calculated moves to deal with the declared “War on Terror.” Because of the nature of this global war, which is based more in backrooms around the world than on battlefields, it has become increasingly difficult to have concrete ideas about whom and where we are, or should be fighting.
Because of the clandestine nature of the war, the measures to combat it have also taken a more covert form, including… Abu Ghraib… and more recently, Guantanamo Bay. These Prisoner Detentions Camps were set up in an effort to isolate suspected enemy combatants from battle regions and interrogate them so that the war in the Gulf, and on Terror could be mitigated.
Gitmo and The Response [6:07m]:
Play Now |
Play in Popup |
Download
In the movie, “The Response,” writer, Sig Libowitz, utilizes transcripts from Combatant Status Review Tribunals, or CSRT’s, to dramatically explore the events that lead up to and occur, during these trials.
The setting for the movie is a CSRT in Guantanamo, and examines the interactions between a detainee played by Aasif Mandvi, and his inquisitors as portayed by Kate Mulgrew, Peter Reigert and Libowitz, who plays a “King Solomon - like” character who ends up interpreting the limited protection of rights for the accused combatant, while shielding the world from a potential terrorist.
The movie is delivered in two acts. First, we are introduced to the shortened trial process, in which a detainee is brought before the tribunal and asked a series of questions about his knowledge, or lack thereof, concerning their connection to terrorists and terror activity. Libowitz characterized the experience for the detainee as a “… few minutes in front of a war tribunal…this is him defending his life.”
The process presented is antithetical to what we as American citizens expect as our basic rights in a court of law. Elements important and implicit in our court system that are not available to a detainee include: the right to counsel by a competent attorney - they are given a military advisor who is not an actual attorney; to know the identity of their accusers, which are only known by the tribunal officers, and what the charges are against them.
Finally, and potentially most important is the “writ of habeas corpus,” which states that the accused may demand a determination of the right to be held by their accuser. This element is one of the most important parts of the US justice system, and yet was not available to these detainees, who could have been held indefinitely, until a Supreme Court ruling on June 12, 2008.
After the testimony period the movie shifts to the second act, the deliberations of the tribunal judges. It is during this period that most of the moral arguments for and against the policies and ramifications of Guantanamo are explored. Col Jefferson (Peter Reigert) makes the telling comment, “Why don’t we measure our behavior against who we say we are and tell ourselves we are as a country.” To which Col. Simms (Kate Mulgrew) responds, “That’s a little simplistic after 9-11…” The detainees fate is then left in the hands of Capt. Miller (Libowitz).
(See clip of “The Response” here)
This even handed look at the Guantanamo Tribunals was lauded by two Special Forces soldiers who came to a recent Baltimore screening. They were so impressed with how the material was presented, both gentlemen expressed their thanks in a unique way. Libowitz read from one of the letters which said, “Thank you and the film for highlighting the real nexus confronting us today. The discipline in presenting a balanced treatment is most patriotic. The enclosed stone is from the World Trade Center, Tower Number 2. The razor wire is from Gitmo. They are presented to you and the film on behalf of the soldiers that are in this nexus with you.”
It will be interesting to see how this story unfolds. Just yesterday, president-Elect Obama stated that he planned on bringing charges against these detainees in US courts. This plan is speculated to require creation of a new legal system because of the classified information in the most sensitive cases.
To learn more about the movie,“The Response” please visit www.theresponsemovie.com.
You’ve been listening to the Oscar Show, I’m Jacob Canon. Join us next week when we will discuss the work of UVa Professor Paul Halliday, and his research of Habeas Corpus, the only specific right enshrined in the US constitution.
Permalink
10.29.08
Posted in Art, Film, Jacob Canon, The Oscar Show, UVa College of Arts & Sciences, University of Virginia, VFF at 11:04 am by Jacob Canon
In today’s show, adapted from an article written by John Kelly, we will preview this year’s Virginia Film Festival, hosted by the University of Virginia.
This year’s Virginia Film Festival, hosted by the University of Virginia, will kick off tomorrow, Oct. 30, and will feature some 80 films and 100 guests exploring the fearful and alluring images of immigrants, outsiders and extraterrestrials alike.
One of the highlights will be a special 70th-anniversary rebroadcast of Orson Welles’ classic radio play, “The War of the Worlds, “ tomorrow at 7 p.m. in the McCormick Observatory. And at 10 p.m., the Culbreth Theatre will be screening George Pal’s film classic, “War of the Worlds.” Pal biographer and Charlottesville resident Justin Humphreys will introduce the film.
2008 Virginia Film Festival [6:08m]:
Play Now |
Play in Popup |
Download
Richard Herskowitz, the festival’s artistic director said, “Not only is this the perfect way to open our festival this year, it is also a great way to honor one of the more bizarre evenings in Charlottesville’s history. On the night of Oct. 30, 1938, Welles’ ultimate hoax had the whole nation on edge and our city was no exception. Citizens were so nervous, in fact, that the McCormick Observatory had to open its doors just to prove with its telescopes that the skies were not in fact filled with alien spaceships.
The festival will also kick-off with a screening of Lake City at 7:00PM at the Culbreth Theatre. Starring Sissy Spacek, Troy Garity, Rebecca Romijn, and Dave Matthews, Lake City is a film with deep Virginia roots. It captures a slice of small-town Virginia life with underlying layers of Southern gothic tragedy. Lake City is produced by Mark Johnson and co-directed by Perry Moore, who met at the Film Festival in the 90’s and have since partnered on a number of projects, including producing the Narnia series. Moore co-wrote and co-directed the film with his partner, Hunter Hill, and brought on board a third UVa alumnus, leading independent film and talent publicist Weiman Seid, as executive producer.
Glen Williamson, executive producer of Eternal Sunshine of the Spotless Mind, also represents UVa as producer of Sunshine Cleaning. Based on a script that won the writer, Megan Holley, the Virginia Governor’s Screenwriting Award in 2003, Sunshine Cleaning premiered at Sundance and will be released by Overture Films this winter.
UVa grad, Julie Lynn, producer of 10 Items or Less, starring Morgan Freeman, is the producer of Passengers, an exploration of romance and intrigue under the shadow of death. Passengers is directed by Rodrigo García, the director of Nine Lives, which García presented at the 2007 Virginia Film Festival.
Charlottesville native and producer, Temple Fennell, will be the speaker at the Darden Producers Forum, held at the Darden School starting at 1:20 PM on October 30
Additionally, a free program of films by Charlottesville filmmakers Doug Bari, Elizabeth Howard and Light House students will screen at the Gravity Lounge at 3:30 p.m. on Sunday, Nov. 2, under the heading “Moviemaking in Charlottesville.”
To address images of human aliens who migrate across national borders, the festival and the UVa Media Studies Department welcomes their first Festival Fellow, Hamid Naficy, a film scholar and John Evans Professor of Communication at Northwestern University. His book, “An Accented Cinema,” explores the themes and styles of filmmakers who live and work away from their country of origin.
Keeping with this theme, the festival will also screen, Koryo Saram – The Unreliable People, a film executive-produced by the recently appointed UVa Dean of Arts & Sciences, Meredith Jung-En Woo. Honored as “Best Documentary” at the 2007 Toronto Reel Asian International Film Festival, the film tells the harrowing story of Stalin’s massive ethnic cleansing campaign in 1937 of forced deportation of Koreans living in the coastal provinces of Far East Russia to the unsettled steppe country of Central Asia.
Finally, there is one of the most popular events at the Virginia Film Festival, the Adrenaline Film Project. Mentored by filmmaker Jeff Wadlow and producer Beau Bauman, The Adrenaline Film Project welcomes 10 groups of film makers who will create a short film, concept to completion, from Wednesday evening to the showing scheduled for Saturday night, November 1st at 10 PM at the Culbreth Theater.
To learn more details about these films and all of the events at the Virginia Film Festival please visit www.vafilm.com.
You’ve been listening to the Oscar Show, I’m Jacob Canon. Join us next week when we will relive the events of this year’s Virginia film festival.
Permalink